2025 FESTIVAL OF NEW PERFORMANCE

 

 

Artist Bios and Information

 

MAIN STAGE 

June 20th to 22nd, nightly – 7p

 

Show Order:

1. Fox Whitney – “NOT TRIO A”

2. Joe Kye – “Love and Lineage”

3. ILVS STRAUSS – “ñ”

intermission

4. Jordan Isadore – “you look good, bud”

5. The Bonnies – “Picklehole”

 

Jordan Isadore

you look good, bud (dance, theater)

 

*you look good, bud* is an intimate, genre-defying solo performance that excavates the complex landscape of personal memory, queer identity, and self-discovery. This project is a profound artistic exploration of how individual experiences shape identity, offering an unfiltered journey through the intricate layers of personal history.

 

Jordan Isadore – Dancer, Choreographer, Video Editor

 

Artist Bio: Jordan Isadore is a dancer and choreographer originally from Northern California who has established himself as a versatile and accomplished artist in the contemporary dance world. Beginning his dance journey at the age of ten, Isadore received his B.F.A. in Dance from California State University Long Beach in 2009.

During his academic years, Isadore performed works by renowned choreographers including Twyla Tharp, Keith Johnson, Marie De La Palme, and Jodie Gates. After graduation, he began his professional career with Los Angeles-based company BodyTraffic, performing works by Barak Marshall and Alex Ketley. In 2011, Isadore relocated to New York, marking a significant turning point in his artistic trajectory.

In New York, Isadore has collaborated with an impressive array of choreographers and dance companies. He has worked extensively with Shen Wei Dance Arts, becoming a core member of the company and performing internationally across diverse and prestigious venues. His performances have spanned global locations including the David H. Koch Theater, Mariinsky Theater, Park Avenue Armory, and tours throughout China, South America, Europe, Brazil, Italy, and Russia.

Beyond traditional dance performances, Isadore has showcased his versatility by directing movement for Solange Knowles and performing on the Conan O’Brien show with Devonté Hynes of Blood Orange. His artistry has been captured by renowned photographer Lois Greenfield.

Isadore has collaborated with notable artists like Christopher Williams, Andrea Miller of Gallim Dance, Sydney Skybetter, and Jennifer Edwards. His choreographic work has been presented at numerous prestigious venues, including The Museum of Arts & Design, 92nd Street Y, Joe’s Pub, and The American Dance Festival.



ILVS STRAUSS

ñ (enye) (theatre, movement, mask work, multimedia)

 

An audiophile’s unhurried song analysis tangents into explorations of the physics of sound, speculations about the advent of language, and inquiries of basic human needs. Humorous, sly, and introspective, the titular character, a green rabbit, guides the audience on a journey through an intentional soundscape, audible and otherwise.

 

ILVS STRAUSS – Performer

Lynne Ellis – Lighting Designer

 

Artist Bio: From a sociodemographic standpoint, I am a 45 year old educated, queer, mixed-race, white-passing, female bodied, Honduran-American artist. From a non-sociodemographic standpoint, I’m still those things, but manifest in 3D by the ethereal: experience, values, judgement, desire, need, love, motivation, inspiration, etc.

I once had a job as an analytical chemist for a pharmaceutical company (BA Chemistry – OSU) but then slowly pivoted to the arts (MFA Interdisciplinary Arts – SFU). The hats I wear are many and at times I have been known to wear several at once: multi-disciplinary performance artist, writer, dancer, facilitator, technical director, lighting designer, and sound engineer.

www.ilvsstrauss.com

 

 

Joe Kye

Love and Lineage (music / storytelling / botanical media art)

 

Love and Lineage is a transcendent narrative ritual, recollecting love and lineage through multiple generations of a Korean family. Looping violin, vocals, and traditional Korean instruments, Joe’s music swirls with spoken word and storytelling, dismantling borders of time and geography as he searches for the spirit of his grandfather.

 

Joe Kye – Musician, Storyteller, Ritualmaker

Qi You – Video Collager, Ritualmaker

 

Artist Bios:

Portland-based musician and storyteller Joe Kye discharges worlds of emotion with his lush string loops and eclectic style. Born in Korea and raised in the United States, Joe shares his multifaceted identity with humor and vulnerability. Kye has performed for Carnegie Hall’s Migrations festival, recorded a Tedx Talk, and been featured on PRI’s The World .

His recent project, Love & Lineage, is a deeply felt narrative ritual, a migration through multiple generations and geographies of his Korean family. Looping violin, vocals, and traditional Korean instruments, Joe’s improvisations swirl with stories and deep ancestral connection as he invites the spirit of his grandfather into the performance space. Joe will be joined by Portland visual artist Qi You, who will augment the piece through live altar-building and ritualmaking.

Qi You is an American visual artist, designer, and dreamer based in Portland, Oregon. Qi explores the languages ranging from two-dimensional to time-based media. She uses design as the tool of care and wholeness, breaking down the barriers, to rediscover and reconnect, from herself to the rest of the world around.

Qi holds an MFA in Expanded Media from the School of Art and Design, New York State College of Ceramics at Alfred University and a BFA in Design from China Central Academy of Fine Arts. Qi You’s work has been shown and screened at Anthology Film Archives, New York; Oregon Contemporary, Portland Chinatown Museum and the Lumber Room in Portland, Oregon. Qi is currently working on the future memorial of altar design at Block 14 in Lone Fir Cemetery. https://www.oregonmetro.gov/public-projects/honoring-untold-stories-lone-fir-cemetery



Fox Whitney

NOT TRIO A (dance, drag, music, theater, performance art)

NOT TRIO A begins by recreating a photograph taken in 1970 during Yvonne Rainer’s TRIO A WITH FLAGS, Fox Whitney and his collaborators find meaning in movements both physical and political informed by Fox’s experience as a trans performance maker using dance, music and drag as very queer strategies of resistance.

 

Fox Whitney – Writer, Sound, Choreographer, Performer

Will Courtney – Performer

Vlada Kremenović – Performer

Moonflower – Performer

Leo Othón – Performer

Shann Thomas – Performer

 

Artist Bios:
FOX WHITNEY [he/him] is a multi-disciplinary artist working at the intersection of dance, music, film+video, theater, writing and visual art. Fox is obsessed with the surreal nature of transformation, how we identify ourselves and how personal and collective identity is an ever shifting and evolving landscape. His projects center his queer and transgender point of view. He founded the interdisciplinary performance project Gender tender in 2012 and the trans-futurist psych band Light Aloud in 2023 The band grew from his ongoing series of performances MELTED RIOT. Inspired by the stonewall Riots of 1969, MELTED RIOT is a surreal protest song, a queer meditation, a psychedelic research project, a punk prayer.

Fox’s work has been commissioned and produced by the Henry Art Gallery; On the Boards; Velocity Dance Center; Seattle International Dance Festival; Yellow Fish Epic Durational Performance Festival and was selected for the inaugural season of Seattle’s Gay City Arts. Light Aloud has played at Trans Pride Seattle, Capitol Hill Block Party and the Seattle Art Fair. He has performed in work by Meg Foley, Will Rawls, keyon gaskin, Morgan Thorson, Andrew Schneider, CommonForm Dance Project, Malic Amalya and Gabrielle Civil. He got his MFA in Studio Art from the School of the Art Institute of Chicago and has exhibited his short films and visual art nationally. Fox is also a yoga and meditation teacher, movement teaching artist and arts journalist. He was the Artistic Director of Velocity Dance Center from 2020-2022. www.foxwhitney.com

WILL COURTNEY [all pronouns] is a multifaceted transgender artist, Light Aloud band member and Gender Tender performance project all-star. She was the first performer Fox invited to dance with him for Gender Tender research and development when it all started in 2012. Will has been a lead performer for many GT projects and after the first few years of performing began to expand his role in GT working with Fox as an artistic consultant, rehearsal director and producer. As a performance duo, Fox and Will gleefully mine the blurry line separating their longstanding friendship and their very queer performance chemistry.

VLADA KREMONOVIĆ (she/her), aka Sasha Sobbing, is a trans, immigrant artist working in performance, video, nightlife/drag, and arts administration. Originally from Banja Luka, Bosnia and Herzegovina, Vlada has been making works in Seattle since 2017. Descending from a long lineage of Bosnian peasants, Vlada’s art rejects the elitism of post-modernism while embracing its capacity for performer/audience autonomy, freedom from colonialist/classicist ideals, and creating containers for radical empathy. She’s presented physical and virtual performances locally and inter/nationally in Oregon, California, British Columbia, Bosnia, Croatia, and Serbia. Vlada has collaborated/performed with Fox Whitney since 2020 as part of his Gender Tender and Light Aloud projects. She was a 2023 Seattle City Artist, and was awarded funding from 4Culture, Seattle Office of Arts & Culture, Foundation for Contemporary Arts, and more.
@vlada_kremenovic | @sasha_sobbing

MOONFLOWER (He/They) is a Queer Two-Spirit Transmasculine Mescalero Apache Latinx and Chinese performing artist, actor, and Draglesque performer. He is an advocate for erotic embodiment, queer trans joy, and pleasure expansion. Kink, art, and performance are an integral part of of their life, as they are practices that help them abolish and break free from oppressive, colonial, and societal disciplines. He is passionate about creating and contributing to radical containers of play that allow himself and others to go to a place of deep transformation, exploration, and healing. You may have recently seen him onstage with Seattle Rep, Village Theatre, ArtsWest, VALTESSE, The Dirty Darlings, and AZNGLO / RICEGLO. When not onstage you’ll find him in the kitchen cookin, in the mountains, or in the nearest body of water!

SHANN THOMAS (they/them) aka shannimal planet is a mixed media visual and performance artist from Seattle, WA.  Cacaw!

The Bonnies – Jenny Peterson and Kaitlin McCarthy

Picklehole (dance-theater)


Inspired by the 1966 Czech New Wave film, Daisies, the dance duet Picklehole explores freewheeling femme chaos, joy rebellion, group fantasy, and of course, pickles.


Jenny Peterson – Choreographer, composer, performer 

Kaitlin McCarthy – Choreographer, performer, prop and costume design

 

Created and performed by The Bonnies (Kaitlin McCarthy and Jenny Peterson)
Music: Jenny Peterson, Bruce Springsteen, John Wayne Bobbitt Uncut film track
Costume/prop creation: Kaitlin McCarthy
Thank you to Julie Mack, Yaw Theater, The Shed Seattle, Risk/Reward, and PICA for help in the creation of this work.

 

Artists Bios:

The Bonnies (Kaitlin McCarthy and Jenny Peterson) have been making strange performance works together in Seattle, WA since 2013, gravitating to the grotesque/off-kilter/marvelous like moths to the flame. They have performed at WET’s Six-Pack Series, Velocity’s NextFest, OTB’s Open Studio, Boost Dance Festival, NEPO 5k, Seattle Intl Dance Festival, High F@ggotry, and other underground art salons and nightlife performance venues. In 2024 they premiered their first evening-length work, DRIVE WOLVES MAD, and toured it to Performance Works NW in Portland, OR and Light Box Theater in San Diego, CA.

One of us is tall, one is short, both are Type A weirdos. Jenny is a Seattle artist working in dance, photography, and music/sound. She grew up a competitive gymnast in the Chicago suburbs and has never recovered. Jenny boasts 18 years of performing professionally in Seattle, including with the Pat Graney Company since 2008. She holds a B.A. in Dance and Visual Arts from UC Irvine and is a licensed massage therapist. Kaitlin is a Seattle-based dance artist, teacher, and journalist. She has performed with countless local choreographers since 2010, including regularly with Alice Gosti/MALACARNE. A prominent dance writer about town, she edits the publication SeattleDances and has a decade of experience specializing in teaching adult beginning dance.

The Bonnies will premiere their next evening-length work I’m on Fire, You’re on Fire, We’re on Fire next March as part of Velocity Dance Center’s 2026 season.

 

 

INSTALLATIONS:

Operating Nightly – 6p to 7p

(Additional times to be announced)

 

Silas Borgstrom Ruesler

Touch Tank (performance art, creature-creation)


A pop-up aquarium habitat with a diverse ecosystem of aqua-genitalia chimeras waiting for your touch. The resident genitalizoologist hosts creature spotlights and hands-on tours. Everyone’s invited to engage with this marine biology sex-ed class fever dream as they please.


Silas Borgstrom Ruesler – Performer, Creator

 

Artists Bios:
Silas Borgstrom Ruesler (they/he) is a multi-disciplinary artist exploring identity, vulnerability, and the body with a satirical and surreal approach. Raised by a high-school biology teacher in Los Angeles, CA, they are heavily influenced by natural forms and human anatomy. Silas received their BFA in studio art from Cal Poly SLO in 2020 and participated in the Inverse Performance Art residency in 2019 and 2020. They continue their work with interactive, visual, and sculptural arts as a means of communication, commentary, and catharsis. He has recently exhibited pieces at Umpqua Valley Arts and Maude Kerns Art Center in Oregon. Silas currently lives in Portland, OR, where he works in deathcare to support his artistic practice. https://www.silasruesler.com/

 

 

kelly langeslay

[an]archive (explorable thesis/slumber party/memorial/dance)


an interactive installation/performance that layers traditional archival material (journal articles, texts, historical dance films) with materials that lie outside of traditional epistemologies (pop music, video games, personal narrative) to invite ghosts of the past into the present and create a queer sense of time.


kelly langeslay – Performer, Choreographer, Writer

 

Artists Bio:

kelly langeslay is a queer dancer and writer. they tell stories to and/or about you. their recent research investigates queer ghosts (personal and historical) and futurity through the writing of José Muñoz, CGI Barbie movies, early 2000s pop music, and conversations with friends and AIs. much of this research is made possible through the space and resources provided by the public library, to whom they owe $313.49. they are motivated by a love of excess, notalgia for a nonexistent past, and insatiable hunger for approval. they have something to say about camp sincerity and overlaying their body on nostalgic figures and reinhabiting the past to imagine alternative ways of being; of course, this is mostly nonsense. they make pathetic art through a pathetic process and a pathetic way of living. they make their best work when you’re not texting them back.

kelly graduated from the University of Washington in 2020 with a BA in dance and a BS in psychology. their work has been presented at Velocity’s Bridge Project February 2025, OOMPH December 2024, Automorphs November 2024, reSET All-Stars September 2024, Gatto Nero April 2024, Spring Shot April 2024, Drama Tops Off the Lead Showing March 2024, Show 6 by CO—November 2023, reSET May 2023, 12 Minutes Max March 2023, and the Flight Deck Showing August 2022. they have also danced in Alice Gosti’s company MALACARNE. kelly is in the process of creating and producing their first evening-length solo performance girl dinner, which will premiere in Seattle June 5-7. they are currently losing their mind in all of this creative process, and they expect it to last until the end of June, but maybe they just have mercury poisoning from eating too much canned tuna.

you can find some of their writing and performance documentation here:

https://www.instagram.com/kelly.langeslay

 

 

 

Sarah Vitak

Body Doubling (interactive, multisensory audio installation)


An immersive audio installation exploring anxiety and co-dysregulation through storytelling and biometric data. Listeners sit facing an empty chair, hearing recorded personal stories while both their own and the storyteller’s biometrics—heart rate, brain waves, skin conductivity—are transformed into light, movement, and inflatables, making the hidden rhythms of anxiety visible.


Sarah Vitak – Producer, Fabricator

 

Artists Bios:
Sarah Vitak (they/she) is a scientist turned artist and podcast producer.

Their art practice centers on immersive, interactive experiences that spark curiosity, deep discussion, and self-discovery. In the audio world, they specialize in reporting and producing narrative podcast stories and series. Across both disciplines, Sarah explores the intersections of technology, art, and human interaction—crafting work that invites audiences to engage in new and unexpected ways.

Sarah’s audio work has won a Webby and a Signal Award. In 2023, they were selected as an Audio Tune Up Mentee at RESONATE.
They were an Art-Science resident with Guerilla Science in 2018 and were shortlisted for the Ginkgo Bioworks Creative Residency in 2020. They have received two Awesome Foundation Grants and were shortlisted for the Denver Center for the Performing Arts Off-Center Residency in 2021. That same year, they participated in Odyssey Works’ Experience Design Incubator.

www.sarahvitak.com

 

 

 

Claire Rigsby and India Roper-Moyes

stitch by stitch (fiber arts)


An installation that invites audiences to explore an interactive world of knit and crochet that encourages them to touch, create, and rip out; reminding them that undoing is never a step back, but a part of the forward movement of creation.


Claire Rigsby and India Roper-Moyes: Producers, Set Designers/Constructors, Fiber Artists, Performers

 

Artists Bios:

Claire and India are performers and fiber enthusiasts who connected over a love of yarn in theatre spaces. They are both graduates of PETE’s year long Institute for Contemporary Performance. As fiber artists, they’re both interested in exploring the metaphors inherent in making something one stitch at a time. The flow of pattern. The undoing to make “perfect”, or the decision to move forward with a “mistake” immortalized in the work. As artists, they know how a day in the studio where “nothing got done” can feel. The hours spent in front of a canvas without adding a single stroke. The moment you realize you have to undo everything you’ve just done. Claire and India want to explore the idea that every moment, every step, seemingly fruitful or not, contributes to a final piece, or to who they are as artists. No moment is wasted. The undoing is often the doing. Yes, you may undo this beautiful thing you’ve made, but now use what’s left of it to make something new. The material is still there. With knitting or crochet, you can literally undo one project and make another with the same yarn. But isn’t that true in all art we make? Everything is woven in. Can we use the idea of one stitch at a time to help us remember this in all the art we make? In how we live?

 

 

 

LATE NIGHT:

Saturday, June 21st – 10:30pm

 

Anne Zander is MOTHER

Jason Rouse – “Shirts + Skins”

 

Anne Zander is a “completely ridiculous… completely vulnerable” actor, clown, solo-character creator and physical comedy teacher with an MA in devised, physical theater (Theatre Lab) from the Royal Academy of Dramatic Art. She studied clowning there and beyond with her award-winning teacher, Peta Lily.

Her “painfully funny” debut solo show — JUICEBOX — took Portland by storm in 2019 and was Official Selection 2020 at Chicago Sketchfest, Dallas Comedy Festival and HBO’s Women in Comedy Festival (Boston).The pandemic brought forth the digital works Do A Character and her longer, (in)fertility-themed Fertile Ground show, Prolific, along with multiple guest spots on Ron Lynch’s IG Live, comedy-variety Tomorrow! Show (LA).

Zander’s “raw and primal and side-splittingly funny” sophomore solo show, Anne Zander is MOTHER, shot out of her just one year after her twins (BroadwayWorld). This postpartum comedy has made audiences laugh until they pee a little across the Pacific Northwest, and is headed to New York, LA and beyond later this year.

This improviser-turned-clown performs regularly at comedy venues across Portland and is also the real-life mother to 3-year old twins, who made multiple stage appearances in utero but have yet to bring their own clown antics to the greater public.

Jason Rouse is an actor, writer, director and teacher living in Portland. He performs regularly on stages and in television and feature film and writes original comedic long-form plays for middle and high schools because they can’t keep doing the Miracle Worker every year.

 

 

 

DURATIONAL:

Sunday, June 22nd – 10am to 7pm

 

Julie Hammond

Hindsight 2020

 

A 10 hour performance built from every day of the longest year we all lived through. Seven actors take on the words of 20 writers to journey through the personal, profound, tragic, and mundane moments from a most memorable year. There will be snacks.

Hindsight 2020
Concept & Direction: Julie Hammond

Performed by:
Anne Sorce, MONDAY
Heath Hyun Houghton, TUESDAY
Beth Thompson, WEDNESDAY
Paul Susi, THURSDAY
Leiana Petlewski, FRIDAY
Olivia Mathews, SATURDAY
Murri Lazaroff-Babin, SUNDAY
ashley hollingshead, TIME

Dramaturgy: Jen Mitas
Scenic & Video Design: Peter Ksander
Costume Design: Alex Pletcher
Stage Manager: Max J Costigan
Graphic Design: Leigh Annand

Written by:
Anonymous
Adrienne Wong
Alexandra Spence
Allison DeLauer
Amy Botula
Caroline Liffmann
Damaris Webb
Hakim Regine
Jennifer Keyser
Julie Hammond
Larry Krone
Linda Austin
Maiko Yamamoto
Mark Cunningham
Matthew Ariaratnam
Megan Stewart
Michelle Milne
Pepper Pepper
rebecca bruton
Renee Sills
Robyn Jacob

 

Julie Hammond is a mother, theatre maker, dramaturg for multidisciplinary performance, and instigator of public projects currently based in Portland, Oregon. Her work as a theatre director has toured and been presented by On the Boards (Seattle), Artists Repertory Theatre (Portland), Z Below (San Francisco), the Alliance of Jewish Theatres (Boston, MA), and the rEvolver Festival (Vancouver, BC), among others. From 2015-2019 she co-created 14 shows with Hand2Mouth Theatre. Participatory public art projects include an ongoing re-signing and community history of Portland’s Peninsula Park, a year-long residency through the Vancouver Park Board, a community performance/installation for Richmond Public Art, soundwalks for Vancouver New Music, Third Angle New Music, and New Works Calgary, and collaborations with students in elementary and secondary schools exploring historical landmarks, site, and boredom. BA, Bates College (Lewiston, Maine); MFA, Simon Fraser University (Vancouver, BC). juliehammond.net
For full bios of all Hindsight 2020 Artists/Writers and more information, see juliehammond.net/hindsight-2020

Development and production of Hindsight 2020 is supported by the Regional Arts & Culture Council.

 

 

 

DRAG THEATRE WORKSHOP:

 

The Portland Theatre Workshop presents new work at the intersection of drag and theatre by Honey Hart, Body Academics, Silver DeBris, and hosts Anthony Hudson (Carla Rossi) and Pepper Pepper!

 

Saturday, June 21st – 4p

“Little Polycule on the Prairie” by Body Academics

“Dead Body” by Sterling Francis Kennedy, performed by Silver DeBris

 

Sunday, June 22nd – 4p

Honey Hart and Pepper Pepper

 

 

Championing drag artists as writers and actors—beyond the four minutes they typically get to lipsync at a bar—the Portland Drag Theatre Workshop offers project support, documentation, feedback, and an audience. Hosted and produced by Anthony Hudson (Carla Rossi) and Pepper Pepper, this two-day workshop presents a showcase of new pieces by Body Academics, Silver DeBris (House of Elvira) — and your hosts themselves — and a new full-length work by headliner and Portland drag legend Honey Hart. The Portland Drag Theatre Workshop is supported in part by Risk/Reward, The Property Weirdos, and a Portland Arts Project Grant from the Regional Arts and Culture Council and the City of Portland’s Office of Art & Culture.

 

 

 

MORE ABOUT RISK/REWARD:

 

Our Festival Staff Includes:

Dante Tirado Morales – Intern

Amelia Grissom – Assistant Stage Manager

Joshua Yoon – Electrician

Nathan Norris – Carpenter

Melanie Owens – House Manager

Teela Labrum – House Manager

Crimson Ravarra – Bartender

Al Knight-Blaine – Festival Lighting Designer

Rory Breshears – Festival Sound/Video Designer

Liam Kaas-Lentz – Production Manager and Managing Director

Éowyn Emerald – Associate Producer

James Mapes – Festival Director

 

Risk/Reward’s mission is to support artists who are pushing the boundaries of performance. Our Festival of New Performance begins with our call for applications from artists living, working, and creating in the Cascadia / Pacific Northwest region. This year, we received over 67 applications – more than double the number of applications we received in 2024. We convene a community curation panel of regional artists, curators, and tastemakers to read the applications and select the pieces that will become the core of our Festival of New Performance, the five performances of the Festival Mainstage. Even more applications were selected as installation, durational, and late-night additions to the festival. In total, we will present more than 35 Pacific Northwest performers across all of the programming in our jam-packed three-day festival.

 

Our panel this year included curators, actors, directors, performance-makers, and wonderful-weirdos from the Pacific Northwest. Our Portland contingent included choreographer Tahni Holt; Given Davis, a member of The Clown Mystics; devised-theater maker Ashley Hollingshead; and Portland Playhouse’s Producing Director (and recent Skidmore Prize winner) Charles Grant. From Seattle, we were joined by a choreographer and director with the Au Collective, Cheryl Delostrinos; as well as a member of last year’s festival with Drama Tops, Shane Donohue. We were also joined by PICA’s Curator of Performance, Erin Boberg Doughton, and its Production Manager, Molly Gardner, along with Risk/Reward’s own Katie Watkins and Festival Director James Mapes.

 

In selecting our panel this year, we prioritized a breadth of perspective, as well as a mix of experience with the Festival; Tahni, Given, Cheryl, and Shane have all performed in our Festival of New Performance in the past. The panelists worked collaboratively to pick some promising, fantastic proposals for contemporary performance out of the huge number of amazing applications. Our community curation process continues to be a vital aspect of our festival, ensuring that the development of new work is that much more open and includes less gate-keeping – which makes the work that much better.

 

Risk/Reward is supported by the following generous institutions and grantors:

  • Marie Lamfrom Charitable Foundation
  • The James F. and Marion L. Miller Foundation
  • Oregon Cultural Trust
  • Multnomah County Cultural Coalition
  • The Ronald W. Naito MD Foundation
  • The National Endowment for the Arts
  • Oregon Arts Commission
  • Oregon Community Foundation
  • Regional Arts and Culture Logo
  • Creative West
  • The Jackson Foundation
  • The Kinsman Foundation
  • Double Mountain Brewing
  • MoonBrine Pickles
  • and Ronni Lacroute