Faith Helma (Portland, OR) – I HATE POSITIVE THINKING

WEEKEND 1: Faith Helma’s newest solo work, I HATE POSITIVE THINKING, is a performance in which the new-age psychology of positive thinking is ripped apart, and alternatives attempt to be articulated using charts, songs, semi-coherent rants and experiments with the audience. This show will be a departure from previous works that Helma has created with Portland’s Hand2Mouth Theatre, and from her last solo work, Undine, created in 2009.

BIO

Faith Helma is a performance artist and singer/songwriter who has worked with Hand2Mouth for fifteen years, creating and performing in Repeat After Me (2007), Everyone Who Looks Like You (2010) and Something’s Got Ahold of My Heart (2013) among others. She also created the one-woman music-theatre performance Undine (2008), which toured to Seattle, New York and San Francisco. She currently works with people one on one and in groups as a Creative Guide, and if you’d like to book a session you can go to her website: faithhelma.com/workwithme.

PERFORMANCE SYNOPSIS

I HATE POSITIVE THINKING is inspired by Faith Helma’s aversion to positive thinking on the one hand, and her fascination with life-coaching, hypnosis, and the power of the unconscious mind on the other. It’s also inspired by the curveball of giving birth to her son, and how the tools of creativity and performance helped her survive. By using these tools, Helma will help other people harness their own creative power to dissolve blocks and solve life problems. Specifically the performance will include:
• Semi-coherent rants from about how much “I hate positive thinking”
• Guided exercises and experiments with the audience (for instance, testing one of the main facets of positive thinking by seeing if we can manifest something over the course of the performance)
• Simple songs I have written, like “I’m Awkward, I’m Alive” and “You Can’t Control the Universe, You Can’t Control Your Mind”

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Markeith Wiley (Seattle, WA) – 31 & Counting

WEEKEND 1: includes Seattle dance artist Markeith Wiley. His solo performance, 31 & Counting, is a schizophrenic dance theatre work that acts as a physical memoir, weaving tales about race, truth, lie, sex and money.

BIO

Markeith Wiley, the 2014 City Arts Future Lister and Artistic Director of the dance group The New Animals, has been in Seattle for just short of a decade. The works of the group and Wiley have been seen at On The Boards, Velocity and several other theaters in Seattle. Wiley conducted two residencies in 2012, one at Cal State San Luis Obispo and Riverside Community College (CA). With three tours to Sun Valley, ID and one to Riverside, CA, Wiley and the group plan to cross over to the east coast in 2015.

PERFORMANCE SYNOPSIS

There is Markeith The Effeminate, The Lover, The Public Speaker, The Shadow, among other characters. 31 & Counting takes place in a corner of a living room, incorporating music composed by Seattle artists and samples from Southern California rap artists. Markeith explores the various parts of himself, while asking questions about what it means to be a black man in America, and more specifically, the Northwest.

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Nancy Ellis (Portland, OR) – Nancy’s NANCY

WEEKEND 1: Nancy Ellis, a longtime Portland favorite, has been working on her first self-created and choreographed solo performance, Nancy’s NANCY. We are so thrilled to share it with Portland audiences, this story tinged with “sadness, stubbornness and infectiously bright charisma” (Willamette Week).

BIO

Nancy Ellis began dancing professionally in 1994, when she joined the musical theater chorus of the St. Louis Muny Opera and became a member of Gash Voigt Dance Theater of St. Louis. In New York City in 1995, Nancy became a founding member of both Yanira Castro + Company and Maura Nguyen Donohue/inmixedcompany. With these and other artists, including Annie-B Parson and Paul Lazar/Big Dance Theater, Nancy has performed throughout the U.S. and in Russia, France, Germany, Hungary, Italy, Switzerland, Puerto Rico, Costa Rica and South Korea. Since moving to Portland in 2006, she has worked with Jennifer Monson (TBA 2006), Hand2Mouth Theatre, Tahni Holt, Linda Austin, Katherine Longstreth, and Dawn Stopiello. Nancy began making her own work in 2014, with generous support from the N.E.W. Residency program at Studio 2@Zoomtopia. She presented Nancy’s NANCY in sold-out shared evenings there in September 2014, to positive audience and critical response.

PERFORMANCE SYNOPSIS

Nancy’s NANCY is a self-portrait inspired by Yanira Castro’s NANCY, a performer portrait based on Nancy Ellis which premiered in New York in September 2013. Life events and documentary dance-theater solos by artists including Miguel Gutierrez, Jérôme Bel, and Faustin Linyekula also inspired this performed memoir.

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owyn Emerald & Dancers (Portland, OR) – Will You Take This Balloon

WEEKEND 1: Choreographer Éowyn Emerald’s Will You Take This Balloon is built around three duets performed by 4 dancers. This work explores the complexities of human relationships and interconnection while revealing the beauty and vulnerability of giving yourself to another person. When individually broken up each duet has it’s own motive and meaning.

BIO

Since graduating from UNCSA and moving to Portland, Éowyn Emerald has been creating work locally and has had the opportunity to work with numerous schools, companies, and the unique experience of assisting Sylvain Emard when he re-set his work Le Grand Continental for White Bird and 160 of their dance-loving subscribers. Éowyn has received a NFAA A.R.T.S. award for choreography and was awarded a Regional Dance America Monticello award and scholarship for her work. She was recently selected by The Times of London as “a talent to watch.”

PERFORMANCE SYNOPSIS

A duet can be one of the most powerful and intimately revealing events in dance for performer, choreographer, and audience alike. By revealing a relationship in performance, one opens a door that most people have walked through many times throughout their life. It invites the audience to find parallels to their own stories and discover the power of the relationships that unite us.

Part 1: Force of will meets the strength of the human body in “Will You” a dynamic duet that explores the balance between power and love. Utilizing unconventional partnering and dynamic movement, this cold, calculating, and emotionally riveting work balances the endeavor for dominance with an inner longing to be loved unconditionally.

Part 2: Fluid, enticing, and optimistic, “Balloon” is a captivating duet that captures the grace and vulnerability of falling in love over and over again. “Balloon” is an exploration into the idea of falling in love at first sight. Its goal is to be effortless and fluid in its partnering and movement quality. Calming and sinuous the movement takes the watcher on an optimistic and engaging journey through the eyes of a young couple.

Part 3: Sexual driven and risk taking imagery “Take This” explores the dark side of when ones loyalty wavers and commitments are challenged.

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