Artist Profile: Olivia Louise

Olivia Louise (Portland, OR): the myth of Narcissus
poetry/movement/contemporary performance film 

Still from the myth of Narcissus film

Artist Olivia Louise and team bring a poignant and visually stunning look at how we see ourselves in a world surrounded by technology.

PERFORMANCE SYNOPSIS

A cyborg-feminist rediscovery of the Greek myth of Narcissus that explores the contemporary dance of selfhood within technology.

CREDITS

PRODUCER & DIRECTOR: Olivia Louise
CAMERA: Clamber (clamber.org)
NARCISSUS: Tiana Garoogian (tianagaroogian.com)
VIDEO EDITOR: Codec Ultra & Olivia Louise
SOUND DESIGN: Dustyn Astbury & Zak Nelson
SET INSTALLATION: Nijotz (process.life) & Olivia Louise

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Artist Profile: Kelly Nesbitt

Kelly Nesbitt (Portland, OR): PENNY – THE CONDUIT
performance art film 

Collage of images from Penny - The Conduit film

We are thrilled to bring Kelly Nesbitt’s humorous and touching film, Penny – The Conduit, to Portland audiences and beyond.

PERFORMANCE SYNOPSIS

PENNY expresses our collective grief and despair, yet exemplifies the unquenchable hope that lies deeper in the human heart. Death, mourning, and healing are overt themes of this piece, as exemplified by Penny’s awkward yet earnest commitment to meditation, nature worship, and conversations with a radically different kind of deity.

BIO

KELLY NESBITT is a multi-disciplinary performance artist, midlife warrior, and frontline healthcare worker who plays at the intersection of humor and healing. With extensive training in the field of humor, Nesbitt has been awarded grants for the creation of solo and interdisciplinary ensemble performances, toured internationally, and collaboratively produced numerous DIY community arts events since 1999. 

Inspired by nature, contemplative arts, practice and technique ~ Nesbitt is a body based storyteller who embodies the archetype of the fool, juxtaposes absurdities with sincerity, pathos with surreal-humor, and pratfalls with sincerity. Performance aesthetics employ recycled layered costuming, makeshift props, and superhero motifs. Video work experiments with raw facial close ups and lowbrow video editing techniques for comedic effect. Audience members have described their performances as transcendentalist hilarity, utterly inexplicable, and earnestly epic.

MAD COMPOSER LAB, aka Kennedy, is an innovative and versatile composer whose imaginative music captures beauty, bursts of melodic and rhythmic energy. His compositional vocabulary is sought after by many collaborators who seek authentic but familiar sonorities. Kennedy’s scores can be found in a number of studio and independent productions including At The End of The Tunnel, Sightings, and This Is Us. In addition to composing, Kennedy’s orchestrations and arrangements can be found in films such as Deliver Us From Evil (Screen Gems), The Monkey King, Priest (Screen Gems), and Drag Me to Hell (Universal). 

His concert repertoire includes String Adagio no. 6, Western Sketches for Orchestra, Songs of the Seasons, 5 is Prime : 4 is Magic, and numerous experimental works for combinations of traditional instruments and ones created by Kennedy at the Mad Composer Lab.

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Artist Profile: Wobbly Dance

Wobbly Dance (Portland, OR): TIDAL
film

 [Warm toned Black and white photo of 3 figures in surreal costumes. The central figure supports the two flanking figures. All are seated. The central figure wears a 19th century diving bell and a 20th century space suit. The flanking figures wear 19th century linen night shirts and strange breathing masks over their noses. Many spines protrude from each breathing mask, part medical device part undersea creature.]

In their Risk/Reward Festival debut, Wobbly Dance brings an exploration of oceans.
Photo by Kamala Kingsley.

PERFORMANCE SYNOPSIS

“TIDAL” is an exploration of the relationship between the rhythm of mechanized breath and the rhythm of the oceans. Breathing masks and ventilator tubing transform into diving gear and different creatures. An ancient diver, who calls the ocean home, draws us into his world. We fall, we dream, we dive.

BIO

Wobbly is a multi-disciplinary performance company in Portland, OR. Based on improvisation, authenticity, and a touch of Butoh, Wobbly is the unavoidable exploration of the body weathered by life. Wobbly is and is not dance depending on the day and which of us you ask, but we move. With relentless fascination, we still move. Sometimes small and caught on film. Sometimes bigger, outdoors and wild. Wobbly is a way of life, an expression of the belief that disability is a natural variation of the human form and in this variation there is art. With immersive environments, by engaging the senses, Wobbly invites the viewer to step into new worlds of possibility.

Wobbly’s mission starts with the belief that to present a disabled body onstage is a radical act capable of stitch by stitch transformation of the cultural fabric of our community. We believe that performance art cannot happen in isolation. Instead, it is something that must occur within the infrastructure of a larger community. By making our work largely within non-disabled contemporary dance contexts, we have promoted greater standards of accessibility in the theater community. Sometimes this access is architectural but more important than increasing physical access, we believe that by using our bodies in performance we coax audience members into a broader definition of art, beauty, and the lived human experience of people with and without disabilities. It seems to us that making a home for ourselves in the contemporary dance community has gone further towards promoting the full integration of people with disabilities in society than any political action on our part ever will.

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Photo of Princess Bouton, pixelated to look like a peacock tail

Artist Profile: Princess Bouton

Princess Bouton (Portland, OR): First Laugh
dance film

Princess Bouton previously graced the Risk/Reward stage in 2018 with her dance piece Planet Pink, bringing a mix of modern dance, vogue, and contemporary performance elements in a dreamlike landscape that we are still thinking about three years later. Welcome back to the festival, Princess!

PERFORMANCE SYNOPSIS

On January 6, 2021, Princess Bouton got the keys to her own production space, Last Laugh Studios. These are a few of the first projects she produced in the space; Her first laughs at Last Laugh.

BIO

Princess Bouton (she/her) is a Black Transfeminine freelance filmmaker and performance artist based in Portland, Oregon. She graduated from the Portland State University Film Program in the spring of 2020. Her work often incorporates movement art and explores topics of intersectionality and pleasure activism.  She has a dance background that includes modern dance, ballet, and vogue and she creates from a place that draws from each form. Princess Bouton is also a community builder and organizer in the Portland Kiki ballroom scene and is the princess of the kiki House Of Flora. The QTPOC models seen in her work are often individuals from her local queer community, who she invites to be highlighted and celebrated.

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